• Bluegrass budgeting and goat’s milk

    If this week’s column seems at all disjointed, it’s only because The Night Drivers and I are in the studio all this week, and I’m writing this in between takes of our new medley of Next Sunday Darling is My

  • Giving Thanks (Bluegrass Edition)

    While we count our many blessings, I want to take a couple of minutes to note some of the things I’m thankful for in the bluegrass world. For starters, I’m grateful that folks like Bill Monroe, Lester Flatt and Earl Scruggs

  • Chris Jones – Reader Mail

    It seems that I have again stirred up a firestorm of controversy with the last two or three columns about certain kinds of private engagements. I guess if I’m honest it’s more of a smoldering campfire of controversy than a

  • ARU – Acronyms R Us

    It occurred to me that while I was sounding off about types of gigs that bluegrass bands should avoid, I was perhaps giving the impression I was trying to exclude whole categories of work for a bluegrass band, with no

  • No go zones for bluegrass bands

    After my recent column about bar gigs, I suggested that, though we all enjoy complaining about them, they’re still worthwhile venues for certain kinds of bands. But are there other kinds of gigs that bluegrass bands sometimes play that they really

  • Blue Yodel #52 – White House Blues

    This is Blue Yodel #52, the same as the world-record number of strings broken by the band High Wind Advisory the night of December 5, 1983 in Delphi Plains, Ohio, when they attempted a bluegrass version of the rock opera, Tommy. I

  • Notes from the bar birds

    I wasn’t really expecting this, but last week’s column about playing in bars prompted an unusual amount of emails and questions on the subject. I don’t pretend to be an expert, but having done my share of bar gigs in