Author: Sonny Osborne

Sonny, I always liked your baritone singing a whole lot. I know you started on banjo early on. When did you become interested in singing, and do you remember the first recording you sang on? Also, what were the banjos you

Sonny, I've been enjoying your column since it began, and I finally decided to toss in my two cents worth. Last week you said that you played better standing up than you did sitting down. I've noticed the same about my

Terry Herd decided to go to Oregon. He had to cross them Rocky Mountains to get there and I'm wondering if he got Larry Stephenson to drive him out there in his luxury bus and, if so, my hope is

Hi Sonny, I just watched you and Bobby and Dale Sledd alongside Marty Robbins. The show was called The Drifter, and was filmed in black and white. It was done before Marty had his facial hair. You boys did three songs

Sonny, I LOVE this column so much. Thank you for sharing so many great stories! I can only imagine the incredible things you've seen and done, but I had to wonder about the many hours of boredom on the bus

Sonny, Let me say first off that if it wasn't for Sonny and The Earl, I would never have picked up a banjo. I've been playing now for 23 years, but it only feels like 5. Did time fly by for

Hi Sonny! Thanks over and over for this column. I know back in the day that everyone was really on the road a whole lot with not a lot of down time at home. I was wondering if you guys

Banjo NewsLetter was mentioned, and I did a column for them in the '70s. It had the ingenious, and thoughtful, title of Keep on the Sonny Side (very original). I want to thank Terry Herd and John Lawless for allowing me,

Sonny, you mentioned your tune, Banjo Boy Chimes (great tune, BTW). I'm curious to know what you think about Alan Munde's recording of it on his, Banjo Sandwich LP. David R. David, thank you for your time, and for joining us in

Hey Sonny, I would love to know if you have any memories/recollections of bass player Ernie Newton who was featured on so many Nashville sessions in the 1940s and '50s, including many bluegrass recordings with Monroe, Flatt & Scruggs, The