• Cold Spell this summer from Dirty Kitchen

    Frank Solivan and Dirty Kitchen can’t stand still. The band had a strong 2013, riding its Compass Records debut, On the Edge, to widespread acclaim. In its wake, Mike Munford was chosen as IBMA’s banjo player of the year and guitarist

  • A Bluegrass Fan’s Moment in the Sun

    Like many fans of the Seldom Scene, Bengt Adielsson’s memories of the band span the decades. But few take their adoration of the long-running act as far as Adielsson has, and even fewer have been rewarded with a stint on

  • A Tale of Two Venues

    In just over 24 hours over the weekend, the Seldom Scene played two shows that encapsulate everything that is good about bluegrass. The first, Friday afternoon, was in the tiny Black Box Theater at WAMU Radio in Washington, DC. The theater,

  • Seldom Scene…Long Time

    Until the rich history of the Seldom Scene is laid down in book form, the band's newest CD, Long Time…Seldom Scene, will serve as a terrific Cliff’s Notes version of the story and music. Long Time, released today by Smithsonian Folkways,

  • Nickel Creek Comes Back Strong

    Now comes a perfectly named CD: Nickel Creek’s A Dotted Line. The 10-song project and tour is the band’s first since taking what was called “an indefinite hiatus” in 2007. Think of that dotted line as an ellipsis – three little

  • Let It Go – Infamous Stringdusters

    All too often, bands sound their best in the studio. They bring in super pickers to augment or replace regular band members and rely on technology and a great engineer to deliver a sound they can’t possibly replicate on the

  • Bluegrass Show opens WAMU’s new theater

    It's a lot smaller than the Grand Ole Opry, but if Katy Daley and her colleagues have their way, WAMU's Black Box Theater in Washington, DC, will become another must-listen setting for live broadcasts of bluegrass music in front of

  • Circa Blue’s A Darker Blue

    The new release from Circa Blue is accurately named. In A Darker Blue, this Northern Maryland trio puts the blues in bluegrass. The title gives a solid hint, of course. Further evidence comes from a glance through the titles of the