People have lately been asking me to explain the hierarchy of bluegrass music (and by “people,” I mean my cousin Jimmy). Other than knowing that Bill Monroe is “The Father of Bluegrass,” I had to admit that I hadn’t given
Author: Chris Jones
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Lions, tigers, and… bluegrass impersonators!
Recently we discussed bluegrass urban legends, but it has since come to my attention that we have a lot bigger things to worry about, and no, I’m not talking about the worrisome deflation of banjo strap prices due to cheap
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Rural rumors and campground legends
We’ve all been the recipient of urban legends or scams at one time, forwarded to us by email. In one of my early posts here, I passed along one in which an African prince had a Lloyd Loar and a
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Re-imagining murder ballads in the age of social media
Last week we attempted to blame bluegrass music’s violent side on one man: Little Willie, the Scapegoat, we’ll call him. It works as a theory too, because without all the girlfriendicide (the technical term) committed by Willie, bluegrass songs would
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It’s enough to give you the Willies
A Bluegrass Junction listener—we’ll call her “Laura” (because that was her name)—emailed me recently, pointing out that there are an awful lot of bluegrass songs in which women are murdered. After much thought and reflection, I gave her this subtly
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Potato… patahto
Is it “Mon-ROE” or “MUN-roe”? Is how we pronounce bluegrass names important? It probably is, yet it’s not always as simple as it might seem. Do we pronounce people’s names the way they would pronounce them themselves, or do we
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Spargel… get your Spargel!
I’m on a flight across North America right now, the second of three legs of my trip home from our recent European tour. This seemed like a good time to write this column, because for one thing the deadline is
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New award category of the year by a bi-national satirist
Early spring brings its familiar signs: the start of the baseball season, the blooming of daffodils, and in the northern states and Canada, a seemingly endless supply of mud. Late spring will be here before we know it, though, and
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Capotasto and the flat 1
In his comment on last week’s column about stage communication, Dick Bowden requested that I write a follow-up article on band members who don’t know the number system. I don’t as a rule answer this kind of request, unless it’s
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Seinfeld in Gnash… kick it off!
Well, I was going to continue the discussion we were having about on-stage communication, but it’s gotten too loud in here to be heard (cyberspace can be so noisy!), so I guess I’ll just call out the numbers with my

