• Oozing tension and other studio tips

    Going into the studio to record is something that all professional and semi-professional (and in some cases, complete amateur) musicians will do at some point in their careers, usually early and often. The studio, as anyone with experience can tell you,

  • By the Mark… Wahlberg

    Often when I have been on the receiving end of interview questions, and particularly when the interviewers are from outside the bluegrass community, I’ll get a question about the growth of bluegrass music and the general level of interest in

  • Merch Table Etiquette and Avian Scat

    A while back, I wrote here about bluegrass artists’ accessibility to fans, and about some of the interesting things people say to artists at their merchandise tables. Those that aren’t used to approaching people they don’t know and criticizing their work,

  • You’ll get some great exposure

    A reader recently asked if I would consider, at some point, addressing the issue of playing for free. I replied: “Sure, for 80 bucks I will.” After some negotiation, my fee was reduced to barter payment of a used lime

  • Wet banjo contest – it’s come to this

    Shortly after the announcements of the IBMA Awards nominations, an important discussion was started here in Bluegrass Today about the award nominations and voting process. Many readers joined in with ideas, constructive criticism, and in some cases, good old-fashioned griping. With

  • Name That Tune!

    One of the many creative challenges facing songwriters (besides paying this month’s utility bill) is the naming of a new song. This is frequently done after the song is written, and sometimes it feels like a big decision. Unlike a

  • Bluegrass dream analysis redux

    This column from Chris Jones is a reprise of one from March 2012 - with a new introductory paragraph. Some time ago, I published a list of topics for bluegrass music camp elective classes that, based on trial and unmistakable error,